Of Chastity and Power : Elizabethan Literature and the Unmarried Queen
Book Details
Format
Paperback / Softback
ISBN-10
0415056721
ISBN-13
9780415056724
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 6th, 1994
Print length
216 Pages
Weight
400 grams
Product Classification:
Literary studies: c 1500 to c 1800Genealogy, heraldry, names & honoursCultural studies
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Through a reading of the texts of Lyly, Raleigh, Chapman, Spenser and Shakespeare, Berry explores the themes of sexuality and politics, classical myth and Neopatonic mysticism which became associated with Elizabeth I.
Elizabeth I was one of the most powerful women rulers in European history. What can feminism reveal about the attitudes of her male subjects towards this enigmatic figure?
Through readings of key Elizabethan texts by Lyly, Ralegh, Chapman, Shakespeare, and Spenser, Philippa Berry shows that while Elizabeth''s combination of chastity with political and religious power was repeatedly idealized, it was also perceived as extremely disturbing. The figure of the unmarried queen implicitly challenged the masculine focus of Renaissance discourses of love, philosophy and absolutist political ideology.
In her exploration of the potent combination of themes of sexuality and politics with classical myth and Neoplatonic mysticism, Berry offers a radical reassessment of the status of `woman'' as a bearer of meaning within Renaissance literature and culture.
Through readings of key Elizabethan texts by Lyly, Ralegh, Chapman, Shakespeare, and Spenser, Philippa Berry shows that while Elizabeth''s combination of chastity with political and religious power was repeatedly idealized, it was also perceived as extremely disturbing. The figure of the unmarried queen implicitly challenged the masculine focus of Renaissance discourses of love, philosophy and absolutist political ideology.
In her exploration of the potent combination of themes of sexuality and politics with classical myth and Neoplatonic mysticism, Berry offers a radical reassessment of the status of `woman'' as a bearer of meaning within Renaissance literature and culture.
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