On Jack Smith's Flaming Creatures : (and other Secret-Flix of Cinemaroc)
Book Details
Format
Paperback / Softback
ISBN-10
1887123520
ISBN-13
9781887123525
Publisher
Granary Books
Imprint
Granary Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 14th, 2011
Print length
144 Pages
Product Classification:
Individual film directors, film-makers
Ksh 4,850.00
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Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith's Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman's monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
Reviled, rioted over and banned as pornographic even as it was recognized by many as an unprecedented visionary masterpiece, Jack Smith''s Flaming Creatures is one of the most important and influential underground movies ever released in America. J. Hoberman''s monograph details the creative making--and legal unmaking--of this extraordinary film, a source of inspiration for artists as disparate as Andy Warhol, Federico Fellini and John Waters. Described by its maker as "a comedy set in a haunted music studio," the story of Flaming Creatures is here augmented with a dossier of personal recollections, relevant documents and remarkable, previously unpublished on-set photographs by Norman Solomon. Expanding on notes originally prepared for the 1997 retrospective on Jack Smith at the American Museum of the Moving Image, the monograph includes further material on his unfinished features Normal Love and No President, as well as shorter film fragments.
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