Opacities : On Writing and the Writing Life
Book Details
Format
Paperback / Softback
ISBN-10
1593767668
ISBN-13
9781593767662
Publisher
Soft Skull Press
Imprint
Soft Skull Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Aug 13th, 2024
Print length
192 Pages
Weight
200 grams
Dimensions
14.00 x 20.90 x 1.60 cms
Product Classification:
Creative writing & creative writing guidesCreative writing and creative writing guides
Ksh 2,700.00
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Longlisted for the National Book Critics Circle Award for Criticism
Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar''s attempt to rediscover the intimacy of writing
In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.
In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?
Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.
Opacities is a book about writing, publishing, and friendship. Rooted in an epistolary relationship between Sofia Samatar and a friend and fellow writer, this collection of meditations traces Samatar''s attempt to rediscover the intimacy of writing
In a series of compressed, dynamic prose pieces, Samatar blends letters from her friend with notes on literature, turning to Édouard Glissant to study the necessary opacity of identity, to Theresa Hak Kyung Cha for a model of literary kinship, and to a variety of others, including Clarice Lispector, Maurice Blanchot, and Rainer Maria Rilke, for insights on the experience and practice of writing.
In so doing, Samatar addresses a number of questions about the writing life: Why does publishing feel like the opposite of writing? How can a black woman navigate interviews and writing conferences without being reduced to a symbol? Are writers located in their biographies or in their texts? And above all, how can the next book be written?
Blurring the line between author and character and between correspondence and literary criticism, Opacities delivers a personal, contemplative exploration of writing where it lives, among impassioned conversations and the work of beloved writers.
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