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Ornament Now
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Ornament Now : The Destruction and Return of Pattern and Craft

Book Details

Format Hardback or Cased Book
ISBN-10 1915722411
ISBN-13 9781915722416
Publisher RIBA Publishing
Imprint RIBA Publishing
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 1st, 2026
Print length 224 Pages
Weight 1,000 grams
Dimensions 25.00 x 21.00 x 2.30 cms
Ksh 8,100.00
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A critical analysis and celebration of the rich history and use of ornament within and outside of architecture.
Ornament Now is a celebration of pattern and decoration, and the important contribution it has made to our built heritage. Turning a critical eye on modern design, it highlights how in the twentieth century an architectural elite rejected ornament, erasing deep-rooted cultural, aesthetic and craft traditions in the process. Thankfully, beauty and ornament have endured and persist, to tell a more inclusive story of architecture. Throughout history, ornament has served important and various functions: providing a diverse visual language to communicate social, religious and cultural meaning. Often, it has played a structural role, embedded in a building’s elements, such as in the lattice-like jaalis (window screens) of the Middle East and the cornices of Victorian England. Ornament Now both showcases and celebrates these functions, while exploring how and why they came to be eroded. The book builds on this abundant decorative heritage to spotlight contemporary architects, designers and artists who are resisting the orthodoxy of minimalism and actively using ornament, offering inspiration and guidance for others who want to incorporate ornament into their own work. At once an accessible primer for a curious audience, and a reference book for design students, it draws attention to these often overlooked or derided designs, exploring their history and sharing lessons. From the historic Hausa facades of Nigeria and the Alhambra in Spain, to Freddy Mamani’s ‘Neo-Andean' buildings of modern Bolivia and Tao Architecture’s Taumata o Kupe meeting house in New Zealand. The book joins an important conversation around which histories should be celebrated, and the spaces that should be made both beautiful and inclusive.

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