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Painted: Our Bodies, Hearts, and Village
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Painted: Our Bodies, Hearts, and Village : Pueblo Perspectives on the American Southwest

Book Details

Format Paperback / Softback
ISBN-10 1636811469
ISBN-13 9781636811468
Publisher Distributed Art Publishers
Imprint DelMonico Books/D.A.P.
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 20th, 2025
Print length 256 Pages
Ksh 5,400.00
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An illuminating corrective to the limiting perspective of the Pueblo people put forth by the Taos Society of Artists Drawn to the region in pursuit of what they described as uniquely American subjects, the founding members of the Taos Society of Artists (TSA)—a group of Anglo-American painters active in the early 20th century—traveled to Pueblo homelands and encountered a thriving artistic world with a rich tradition of commerce and exchange. The TSA artists painted their impressions of Taos Pueblo, and, diverging from the lived experiences of Pueblo people, their works reflect a complex network of relationships and power dynamics between the artists and their chosen subject matter. Painted centers Pueblo perspectives on the contexts that informed the social and cultural landscape of Taos, New Mexico, from 1915 to 1927. The volume also sheds light on issues that affect Native people today, in the Southwest and beyond, and presents paintings by TSA artists in dialogue with works by modern and contemporary Native American artists.

An illuminating corrective to the limiting perspective of the Pueblo people put forth by the Taos Society of Artists

Drawn to the region in pursuit of what they described as uniquely American subjects, the founding members of the Taos Society of Artists (TSA)—a group of Anglo-American painters active in the early 20th century—traveled to Pueblo homelands and encountered a thriving artistic world with a rich tradition of commerce and exchange. The TSA artists painted their impressions of Taos Pueblo, and, diverging from the lived experiences of Pueblo people, their works reflect a complex network of relationships and power dynamics between the artists and their chosen subject matter. Painted centers Pueblo perspectives on the contexts that informed the social and cultural landscape of Taos, New Mexico, from 1915 to 1927. The volume also sheds light on issues that affect Native people today, in the Southwest and beyond, and presents paintings by TSA artists in dialogue with works by modern and contemporary Native American artists.


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