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Palais de Tokyo : Kunstpolitik und Asthetik im 20. und 21. Jahrhundert

By: (Author) Benjamin Fellmann

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Ksh 12,700.00

Format: Hardback or Cased Book

ISBN-10: 3110623730

ISBN-13: 9783110623734

Series: Studien aus dem Warburg-Haus

Publisher: De Gruyter

Imprint: De Gruyter

Country of Manufacture: DE

Country of Publication: GB

Publication Date: Sep 23rd, 2019

Print length: 760 Pages

Weight: 1,939 grams

Product Classification: History of art & design styles: from c 1900 -
Exhibition catalogues & specific collections
Politics & government

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Das monumentale Palais de Tokyo in Paris, einst im internationalen Austausch zur Weltausstellung 1937 konzipiert als modernster Museumsbau, ist heute eines der größten Kunstzentren Europas. Diese erste umfassende Monographie zeigt, wie das erste staatliche Museum moderner Kunst Frankreichs zu einem globalen Zentrum der Gegenwartskunst und der zeitgenössischen Kunsttheorie wurde.

Besatzungs- und Nachkriegszeit, die Planung des Centre Pompidou, das experimentelle Musée d’Art et d’Essai, das Institut des Hautes Études en Arts Plastiques und Ambitionen für ein staatliches Zentrum für Foto und Film seit den 1980er Jahren sind nur einige Eckpunkte dieser Geschichte bis zur Entstehung des zeitgenössischen Ausstellungshauses und jüngsten Debatten um relationale Ästhetik und partizipative Kunst.

Palais de Tokyo. Art politics and aesthetics in the 20th and 21st century Since the beginning of the 20th century, the monumental Palais de Tokyo in Paris has been a seismograph for the role of contemporary art in international perspectives and its public place in society. Today, as one of the largest art centers in Europe, it is one of the world’s leading exhibition venues. Conceived in intellectual exchanges in the context of the League of Nations and planned as a state-of-the-art museum building in the »world capital of art«, the Palais de Tokyo was built on the occasion of the 1937 world’s fair for both a museum of the state and one of the city. This first comprehensive monograph shows how France’s first state museum of modern art became a global center of contemporary art and art theory, drawing on a vast amount of source material. The Musée national d’Art moderne, the 1937 World Exposition, the occupation and post-war period, the genesis of the Centre Pompidou in response to the Palais de Tokyo, the experimental Musée d’Art et d’Essai, the Institut des Hautes Études en Arts Plastiques and ambitions for a national center of photography and film since the 1980s are some of the key elements of this history up to the emergence of the contemporary institution and theories of relational aesthetics and participatory art.

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