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Palestinian Music in Exile
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Palestinian Music in Exile : Voices of Resistance

Book Details

Format Hardback or Cased Book
ISBN-10 1649033044
ISBN-13 9781649033048
Publisher American University in Cairo Press
Imprint American University in Cairo Press
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 21st, 2023
Print length 340 Pages
Weight 660 grams
Dimensions 16.00 x 23.80 x 2.70 cms
Ksh 9,250.00
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A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locationsPalestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations, including Gaza, Turkey, Kuwait, and Egypt. Grassroots musicians emerge here as powerful actors, their stories taking center stage, offering critiques of existing conditions, and new perspectives on displacement and the transmission of Palestinian narratives, and presenting alternative visions for the future. Louis Brehony argues that, under conditions of colonial relations and repeated displacement, the reclaiming of public space has gone hand in hand with aesthetic revolution, both broadening and traditionalizing the sounds of Palestine, and carrying messages of sumud (steadfastness) and resistance. Based on a decade’s research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies provides a rich oral history of contemporary Palestinian musicianship and encompasses a broad range of experiences of the ghurba, or state of exile.

A historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations

Palestinian Music in Exile is a historical and contemporary study of Palestinian musicianship in exile in the Middle East, spanning half a century in disparate locations including Gaza, Turkey, Kuwait, and Egypt. Grassroots musicians emerge here as powerful actors, their stories taking center stage, offering critiques of existing conditions, and new perspectives on displacement and the transmission of Palestinian narratives, and presenting alternative visions for the future.

Louis Brehony argues that, under conditions of colonial relations and repeated displacement, the reclaiming of public space has gone hand in hand with aesthetic revolution, both broadening and traditionalizing the sounds of Palestine, and carrying messages of sumud (steadfastness) and resistance. Based on a decade’s research in Europe and the Middle East, this timely and inspiring collection of musical ethnographies provides a rich oral history of contemporary Palestinian musicianship and encompasses a broad range of experiences of the ghurba, or state of exile.


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