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Performing Arousal : Precarious Bodies and Frames of Representation

By: (Edited by) Professor Julia Listengarten , (Edited by) Yana Meerzon

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Ksh 16,200.00

Format: Hardback or Cased Book

ISBN-10: 1350155632

ISBN-13: 9781350155633

Series: Methuen Drama Engage

Publisher: Bloomsbury Publishing PLC

Imprint: Methuen Drama

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Dec 16th, 2021

Print length: 272 Pages

Weight: 460 grams

Dimensions (height x width x thickness): 14.70 x 22.40 x 2.40 cms

Product Classification: Performance art
Theatre studies

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Shortlisted for the 2023 TaPRA Edited Collection PrizeThis book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing “what arouses” in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object.

Shortlisted for the 2023 TaPRA Edited Collection Prize

This book considers arousal as a mode of theoretical and artistic inquiry to encourage new ways of staging and examining bodies in performance across artistic disciplines, modern history, and cultural contexts. Looking at traditional drama and theatre, but also visual arts, performance activism, and arts-based community engagement, this collection draws on the complicated relationship between arousing images and the frames of their representability to address what constitutes arousal in a variety of connotations. It examines arousal as a project of social, scientific, cultural, and artistic experimentation, and discusses how our perception of arousal has transformed over the last century. Probing “what arouses” in relation to the ethics of representation, the book investigates the connections between arousal and pleasures of voyeurism, underscores the political impact of aroused bodies, and explores how arousal can turn the body into a mediated object.


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Mind, Body, & Spirit