Performing Processes : Creating Live Performance
by
Roberta Mock
Book Details
Format
Paperback / Softback
ISBN-10
1841500100
ISBN-13
9781841500102
Publisher
Intellect
Imprint
Intellect Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jul 1st, 2000
Print length
140 Pages
Weight
304 grams
Dimensions
23.00 x 17.50 x 1.00 cms
Product Classification:
Dance & other performing arts
Ksh 4,300.00
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This volume investigates the relationship between the process of creating performance and spectator responses, and how this exchange is embedded into the product itself.
Live performance continues to be created every time it is performed. This book explores the dynamic relationship between creative process, presentation and spectator response to provide students and scholars in Drama with new insights on performance from poetry to pantomime.
These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how ''conception'', ''development'', ''presentation'' and ''reception'' are fused together to make up the overall ''performance''. This study investigates the relationship between the process of creating performance and spectator response, and how this exchange is embedded into the product itself.
The authors draw on theoretical approaches from a range of sources, and examine the work of contemporary dramatists, choreographers, poets and performers including:
• Sarah Kane
• Iain Baxter
• Yolande Snaith
• Slobodan Snajder
• Phylis Nagy
• Steve Benson
• David Fielding
• David Antin
• Bette Midler
• Karen Malpede
• Stephen Daldry
• Mai Lanfang
Its construction of a new, wide-ranging approach to performance research makes this book a valuable resource for the student as well as the broader academic community. It has application both as a textbook and for supplementary research on drama courses nationwide.
These essays make parallels between areas of performance that are rarely, if ever, compared. They present the basis for an overall theory of how ''conception'', ''development'', ''presentation'' and ''reception'' are fused together to make up the overall ''performance''. This study investigates the relationship between the process of creating performance and spectator response, and how this exchange is embedded into the product itself.
The authors draw on theoretical approaches from a range of sources, and examine the work of contemporary dramatists, choreographers, poets and performers including:
• Sarah Kane
• Iain Baxter
• Yolande Snaith
• Slobodan Snajder
• Phylis Nagy
• Steve Benson
• David Fielding
• David Antin
• Bette Midler
• Karen Malpede
• Stephen Daldry
• Mai Lanfang
Its construction of a new, wide-ranging approach to performance research makes this book a valuable resource for the student as well as the broader academic community. It has application both as a textbook and for supplementary research on drama courses nationwide.
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