Performing the Modern German : Performance and Identity in Contemporary German Cinema
New
Book Details
Format
Paperback / Softback
Book Series
New Studies in European Cinema
ISBN-10
3034309724
ISBN-13
9783034309721
Edition
New
Publisher
Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint
Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Jun 4th, 2013
Print length
322 Pages
Weight
476 grams
Dimensions
16.40 x 24.80 x 2.10 cms
Product Classification:
Theatre studiesFilm: styles & genresLiterary studies: post-colonial literatureRegional studies
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What can contemporary German cinema tell us about current German society and its problems? This book analyses the performances of gender, ethnicity and nationality in a wide range of films, revealing how modern German identity is produced in response to the restructuring of German society post-unification.
Since the late 1990s, German cinema has gone through a period of astonishing productivity and success that has made it the focus of scholarly analysis once more. What can contemporary German cinema tell us about current German society and its problems? What are the distinguishing features of filmmaking in Germany today?
This book analyses the representation of individual and collective behaviour in post-unification German cinema. It looks at performances of gender, ethnicity and nationality in a wide range of contemporary German films. Using Performance Theory as a framework, the book discusses how modern German identities are presented as conformist, liberating or subversive responses to external challenges.
Theoretical considerations regarding the efficacy of performance and the dialectical relationship between transgression, resistance and normalization form the background for an analysis that investigates contemporary German films in terms of their function within the restructuring of post-unification German society.
This book analyses the representation of individual and collective behaviour in post-unification German cinema. It looks at performances of gender, ethnicity and nationality in a wide range of contemporary German films. Using Performance Theory as a framework, the book discusses how modern German identities are presented as conformist, liberating or subversive responses to external challenges.
Theoretical considerations regarding the efficacy of performance and the dialectical relationship between transgression, resistance and normalization form the background for an analysis that investigates contemporary German films in terms of their function within the restructuring of post-unification German society.
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