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Phone Plays
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Phone Plays

Book Details

Format Paperback / Softback
ISBN-10 3945247322
ISBN-13 9783945247327
Publisher Montez Press
Imprint Montez Press
Country of Manufacture GB
Country of Publication GB
Publication Date Apr 23rd, 2024
Print length 48 Pages
Weight 64 grams
Dimensions 20.20 x 12.80 x 0.60 cms
Product Classification: Plays, playscripts
Ksh 2,350.00
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Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts.Intended to be performed live over the phone, Sam Cottington’s Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology.This collection of plays explore what critic Sianne Ngai has called the ‘gimmicks of production’: those moments when an object or person performs too much or too little; when it’s too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.
Phone Plays is the first publication in Scores, a new imprint co-commissioned by Montez Press and London Performance Studios that publishes scripts and performance texts by artists, theatre-makers and performance-makers working between the visual and theatrical arts. Intended to be performed live over the phone, Sam Cottington’s Phone Plays invite readers and audience members alike to engage with a series of unclear relationships and scenarios, invoked and mediated by contemporary communication technology. This collection of plays explore what critic Sianne Ngai has called the ‘gimmicks of production’: those moments when an object or person performs too much or too little; when it’s too easy, undeserving of praise or overly produced, trying too hard, camp; and how in those moments, the sublimated labour in everyday judgements of taste or aesthetic value are revealed. Channelling conventions of soap opera and sci-fi, these plays explore the experiences of desire, subjugation and alienation inherent in communication.

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