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Photographic Subjects
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Photographic Subjects : Monarchy and Visual Culture in Colonial Indonesia

Book Details

Format Hardback or Cased Book
ISBN-10 1526124378
ISBN-13 9781526124371
Publisher Manchester University Press
Imprint Manchester University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 3rd, 2019
Print length 264 Pages
Weight 530 grams
Dimensions 24.10 x 16.20 x 2.50 cms
Ksh 15,300.00
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This is the first English-language monograph on monarchy in the Dutch colonial world. It reveals the role of mass and amateur photography in fostering modes of imperial citizenship at royal celebrations in the East Indies during the reigns of Queens Wilhelmina (1898–1948) and Juliana (1948–80). -- .

'Susie Protschky’s Photographic subjects is at the forefront of new studies of imperialism. Subtle and far-sighted, it analyses photography in relation to royalty in order to show how empire worked. This is an essential book for understanding modern Indonesian history.'
Adrian Vickers, Professor of Southeast Asian Studies, University of Sydney

Photographic subjects is a meticulously researched, indispensable contribution to the study of photography, monarchy and imperialism. Susie Protschky’s argument that practices of making, collecting and circulating photographs played a crucial role in the formation of imperial subjects and imagined communities across the Dutch empire is powerfully and persuasively made.’
Karen Strassler, Associate Professor, Anthropology Department, Queens College and CUNY Graduate Center

This book examines photography at royal celebrations during the reigns of Queens Wilhelmina (1898–1948) and Juliana (1948­–80), a period spanning the zenith and fall of Dutch rule in Indonesia. It reveals how photographs taken at Queen’s Day celebrations were used to record the ritual functions of royal portraits in the colonies, and how albums became objects of exchange across colonial networks. Royal photographs associated the queens with colonial modernity and modes of governing difference across a discontinuous and ethnically diverse empire. As the book shows, they have strongly gendered and racial dimensions, in that they depict Wilhelmina and Juliana as female kings who related to their Dutch and Indigenous subjects in different visual registers.

Advancing methods in the uses of photographs for social and cultural history, Photographic subjects reveals the entanglement of Dutch and Indonesian histories in the twentieth century and provides a new interpretation of Queens Wilhelmina and Juliana as imperial monarchs.


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