Played Out on the Strip : The Rise and Fall of Las Vegas Casino Bands
Book Details
Format
Paperback / Softback
ISBN-10
0874179998
ISBN-13
9780874179996
Publisher
University of Nevada Press
Imprint
University of Nevada Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Apr 12th, 2016
Print length
272 Pages
Weight
416 grams
Dimensions
22.60 x 15.20 x 1.70 cms
Product Classification:
Individual composers & musicians, specific bands & groupsComposers and songwritersMusic industry
Ksh 3,800.00
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Quality
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From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this shift in the music industry through interviews with former musicians.
From 1940 to 1989, nearly every hotel on the Las Vegas Strip employed a full-time band or orchestra. After the late 1980s, when control of the casinos changed hands from independent owners to corporations, almost all of these musicians found themselves unemployed. Played Out on the Strip traces this major shift in the music industry through extensive interviews with former musicians.
In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.
In 1989, these soon-to-be unemployed musicians went on strike. Janis McKay charts the factors behind this strike, which was precipitated by several corporate hotel owners moving to replace live musicians with synthesizers and taped music, a strategic decision made in order to save money. The results of this transitional period in Las Vegas history were both long-lasting and far-reaching for the entertainment industry. With its numerous oral history interviews and personal perspectives from the era, this book will appeal to readers interested in Las Vegas history, music history, and labor issues.
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