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Poetic Acts & New Media
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Poetic Acts & New Media

Book Details

Format Paperback / Softback
ISBN-10 0761836306
ISBN-13 9780761836308
Publisher University Press of America
Imprint University Press of America
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 13th, 2006
Print length 204 Pages
Weight 334 grams
Dimensions 15.20 x 22.90 x 1.80 cms
Product Classification: Film theory & criticism
Ksh 7,950.00
Manufactured on Demand 0 in stock

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Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze's philosophy of 'Sense' as a simulated power of sensory transformations. Media poetry becomes a complex power of 'Sense' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: · Langston Hughes · Tony Medina · David Wojahn · John Kinsella · David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: · David Lynch's Mullholland Drive · Cameron Crowe's Vanilla Sky · Spike Jonze's Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.
Poetic Acts & New Media advances the fields of literary and new media studies by clarifying boundaries between competing genres and media through the creation of a new artistic genre, "media poetry." This aesthetic mode of expression/becoming seeks to transform mass culture (our codes of communication) by self-consciously acknowledging how textual, audio, and/or visual signs are constructed according to their simulation and not their representation. This study draws heavily upon literary media theories that intersect with Gilles Deleuze''s philosophy of ''Sense'' as a simulated power of sensory transformations. Media poetry becomes a complex power of ''Sense'' by blending conventional mass-media codes with poetic simulations that provide alternative forms of creating meaning. Poetic Acts & New Media specifically examines the works of several poets that exemplify this multi-sensory approach to printed-text poetry, especially: ·Langston Hughes ·Tony Medina ·David Wojahn ·John Kinsella ·David Trinidad. It also analyzes several contemporary films that embody the multi-modal logic of media poetry: ·David Lynch''s Mullholland Drive ·Cameron Crowe''s Vanilla Sky ·Spike Jonze''s Being John Malkovich. In addition, this study interprets two influential primetime TV shows as exemplars of media poetry: Twin Peaks and Buffy the Vampire Slayer. All media poetry, regardless of genre or medium, allows readers/viewers to envision "reality production" as a rewriteable and poetic enterprise that can productively remediate any transparent abstraction or common-sense realism.

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