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Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia
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Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia : Interaction of National and Global Forces

Book Details

Format Hardback or Cased Book
ISBN-10 1666925195
ISBN-13 9781666925197
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books/Fortress Academic
Country of Manufacture GB
Country of Publication GB
Publication Date Oct 30th, 2023
Print length 206 Pages
Weight 499 grams
Dimensions 24.00 x 15.80 x 2.30 cms
Ksh 14,700.00
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Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia: Interaction of National and Global Forces characterizes the 1918–22 formation of Czechoslovakia as a consequence of political and musical expressions. Nationalist expressions and formations were striking after the 1848 Revolution. The authors explore how the music of Smetana, Janácek, and Dvorák inspired people with reminders about the important achievements of past Bohemian leaders. Under the control of the Vienna-based Habsburg Empire, Czech leaders also achieved more political representation in both Habsburg and Bohemian legislatures, and Slovaks made some national progress in at least asserting their demands to Budapest and its controlling Magyar Empire. During the early twentieth century, there was additional pressure to link up these nationalist movements in both music and politics with regional “modernist” approaches that were increasingly popular in other parts of Europe. The outbreak of World War I in 1914 opened up opportunities, such as joint participation in the Czechoslovak Legion, for the two key ethnic groups to forge a Czechoslovak state. Independence took place, with considerable western support, on October 28, 1918, and the commemorative concert two days later of compositions by Josef Suk put the final stamp on a considerable achievement that bore the hallmarks of globalism as well as nationalism.

Political Dreams and Musical Themes in the 1848–1922 Formation of Czechoslovakia: Interaction of National and Global Forces characterizes the 1918–22 formation of Czechoslovakia as a consequence of political and musical expressions. Nationalist expressions and formations were striking after the 1848 Revolution. The authors explore how the music of Smetana, Janáček, and Dvořák inspired people with reminders about the important achievements of past Bohemian leaders. Under the control of the Vienna-based Habsburg Empire, Czech leaders also achieved more political representation in both Habsburg and Bohemian legislatures, and Slovaks made some national progress in at least asserting their demands to Budapest and its controlling Magyar Empire. During the early twentieth century, there was additional pressure to link up these nationalist movements in both music and politics with regional “modernist” approaches that were increasingly popular in other parts of Europe. The outbreak of World War I in 1914 opened up opportunities, such as joint participation in the Czechoslovak Legion, for the two key ethnic groups to forge a Czechoslovak state. Independence took place, with considerable western support, on October 28, 1918, and the commemorative concert two days later of compositions by Josef Suk put the final stamp on a considerable achievement that bore the hallmarks of globalism as well as nationalism.


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