Political Economy, Race, and the Image of Nature in the United States, 1825–1878
Book Details
Format
Paperback / Softback
Book Series
Routledge Research in Art and Politics
ISBN-10
1032620803
ISBN-13
9781032620800
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 26th, 2025
Print length
238 Pages
Weight
440 grams
Product Classification:
United States of America, USA19th century, c 1800 to c 1899The arts: general issuesThe arts: general topicsHistory of art & design styles: c 1800 to c 1900History of artRegional studiesRegional / International studiesEthnic studies / EthnicityEthnic studiesSociologySocial & cultural anthropology, ethnographySocial and cultural anthropologyPolitical campaigning & advertisingPolitical campaigning and advertisingThe environment
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Political Economy, Race, and the Image of Nature in the United States, 1825-1878 is an interdisciplinary work analyzing the historical origins of a dominant concept of Nature in the culture of the United States during the period of its expansion across the continent.
Political Economy, Race, and the Image of Nature in the United States, 1825–1878 is an interdisciplinary work analyzing the historical origins of a dominant concept of Nature in the culture of the United States during the period of its expansion across the continent. Chapters analyze the ways in which “Nature” became a discursive site where theories of race and belonging, adaptation and environment, and the uses of literary and pictorial representation were being renegotiated, forming the basis for an ideal of the human and the nonhuman world that is still with us. Through an interdisciplinary approach involving the fields of visual culture, political economy, histories of racial identity, and ecocritical studies, the book examines the work of seminal figures in a variety of literary and artistic disciplines and puts the visual culture of the United States at the center of intellectual trends that have enormous implications for contemporary cultural practice. The book will be of interest to scholars working in art history, visual culture, American studies, environmental studies/ecocriticism, critical race theory, and semiotics.
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