Popular History and Fiction : The Myth of August the Strong in German Literature, Art and Media
New
Book Details
Format
Paperback / Softback
Book Series
Cultural Identity Studies
ISBN-10
3034308426
ISBN-13
9783034308427
Edition
New
Publisher
Peter Lang AG, Internationaler Verlag der Wissenschaften
Imprint
Peter Lang AG, Internationaler Verlag der Wissensc
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Oct 7th, 2013
Print length
260 Pages
Weight
406 grams
Dimensions
15.20 x 22.50 x 1.60 cms
Ksh 10,400.00
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This books traces the myth of August the Strong (1670-1733), a figure of great wealth, power and sexual prowess, from the late seventeenth to the twenty-first century in German historiography, fiction, art and media. The author reveals the challenges facing historians in interpreting historical myths and popular media.
This book addresses the function of fiction in the creation of an historical myth and the uses of myth over time. The subject of the case study is the popular image of August the Strong (1670-1733), Elector of Saxony and King of Poland, a figure who has frequently been portrayed as possessing extraordinary sexual prowess and ruling over a magnificent, but frivolous, court in Dresden. The author locates the origins of this myth in the art and literature of the late seventeenth and early eighteenth century and traces its development up to the twenty-first century in German historiography, fiction, art and media.
The study identifies the long-lasting effects of the cultural dominance of Prussia on Saxon historiography in the nineteenth century and the privileged status of particular historical sources over others. It thus sheds light on the challenges facing historians since the early twentieth century when they rely on popular media in recounting and interpreting history. Conversely, it reveals how writers of popular historical fiction employ the methodologies of the historian to bring historical knowledge and self-identity together for the reader.
The study identifies the long-lasting effects of the cultural dominance of Prussia on Saxon historiography in the nineteenth century and the privileged status of particular historical sources over others. It thus sheds light on the challenges facing historians since the early twentieth century when they rely on popular media in recounting and interpreting history. Conversely, it reveals how writers of popular historical fiction employ the methodologies of the historian to bring historical knowledge and self-identity together for the reader.
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