Popular Music, Race, and Media since 9/11
Book Details
Format
Hardback or Cased Book
Book Series
New Approaches to Sound, Music, and Media
ISBN-10
1501352946
ISBN-13
9781501352942
Publisher
Bloomsbury Publishing Plc
Imprint
Bloomsbury Academic
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 24th, 2027
Print length
224 Pages
Product Classification:
c 1500 onwards to present day21st century, c 2000 to c 2100Early 21st century c 2000 to c 2050Relating to Islamic / Muslim people and groupsMusicMusic: styles & genresIndividual composers & musicians, specific bands & groupsMusic: styles and genresComposers and songwritersCultural studiesMedia studiesSocial discrimination and social justiceEthnic studies / EthnicityEthnic groups and multicultural studiesSocial groups: religious groups and communitiesCultural studiesMedia studiesSocial discrimination & inequalityEthnic studiesEthnic minorities & multicultural studiesReligious groups: social & cultural aspects
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Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.
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