Postfeminist Whiteness : Problematising Melancholic Burden in Contemporary Hollywood
Book Details
Format
Paperback / Softback
ISBN-10
1474430309
ISBN-13
9781474430302
Publisher
Edinburgh University Press
Imprint
Edinburgh University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 31st, 2020
Weight
366 grams
Dimensions
15.40 x 23.30 x 1.70 cms
Product Classification:
Film theory & criticismIndividual film directors, film-makersFilm: styles & genres
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Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the 'melancholic white woman' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream.
In the first extended study into the politics of whiteness inherent within postfeminist cinema, Kendra Marston interrogates representations of melancholic white femininity in contemporary Hollywood cinema, arguing that the ''melancholic white woman'' serves as a vehicle through which to explore the excesses of late capitalism and a crisis of faith in the American dream. This figure may be idealised or scapegoated within these films, yet strategic performances of gendered melancholia may produce benefits for white female directors and stars disadvantaged within a patriarchal industry. Examining film genres including the tourist romance, the fantasy film and the psychological thriller, the book also contains case studies of films like The Virgin Suicides, Blue Jasmine, Gone Girl and The Girl on the Train.
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