Pragmatic Modernism
Book Details
Format
Hardback or Cased Book
Book Series
Modernist Literature and Culture
ISBN-10
0195389840
ISBN-13
9780195389845
Publisher
Oxford University Press Inc
Imprint
Oxford University Press Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Dec 8th, 2011
Print length
224 Pages
Weight
471 grams
Dimensions
16.00 x 23.40 x 2.30 cms
Ksh 12,250.00
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Pragmatic Modernism traces an alternative strain of modernism influenced by pragmatist philosophy and characterized by its commitment to gradualism, continuity, and habit rather than spectacular events and radical rupture. Through original readings of Gertrude Stein, Henry James, Marcel Proust, and Oliver Wendell Holmes, Jr., this study rediscovers an overlooked cultural and social matrix and suggests an expanded range of responses to modernity.
Modernism has long been understood as a radical repudiation of the past. Reading against the narrative of modernism-as-break, Pragmatic Modernism traces an alternative strain of modernist thought that grows out of pragmatist philosophy and is characterized by its commitment to gradualism, continuity, and recontextualization. It rediscovers a distinctive response to the social, intellectual, and artistic transformations of modernity in the work of Henry James, Marcel Proust, Gertrude Stein, Oliver Wendell Holmes, John Dewey, and William James. These thinkers share an institutionally-grounded approach to change which emphasizes habits, continuities, and daily life over spectacular events, heroic opposition, and radical rupture.Pragmatic modernists developed an active, dialectical approach to habit, maintaining a critical stance toward mindless repetitions while refusing to romanticize moments of shock or conflict. Through its analysis of pragmatist keywords, including "habit," "institution," "prediction," and "bigness," Pragmatic Modernism offers new readings of works by James, Proust, Stein, and Andre Breton, among others. It shows, for instance, how Stein''s characteristic literary innovation--her repetitions--aesthetically materialize the problem of habit; and how institutions--businesses, museums, newspapers, the law, and even the state itself--help to construct the subtlest of personal observations and private gestures in James''s novels. This study reconstructs an overlooked strain of modernism. In so doing, it helps us to reimagine the stark choice between political quietism and total revolution that has been handed down to us as modernism''s legacy.
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