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Prison Theatre and the Global Crisis of Incarceration
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Prison Theatre and the Global Crisis of Incarceration

Book Details

Format Hardback or Cased Book
ISBN-10 1472508416
ISBN-13 9781472508416
Publisher Bloomsbury Publishing PLC
Imprint Methuen Drama
Country of Manufacture GB
Country of Publication GB
Publication Date Sep 3rd, 2020
Print length 272 Pages
Weight 402 grams
Dimensions 14.60 x 22.30 x 2.30 cms
Product Classification: Theatre studies
Ksh 15,300.00
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Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book examines the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills, create social change, and maintain hope. Ashley Lucas’s writing offers a distinctive blend of storytelling, performance analysis, travelogue, and personal experience as the child of an incarcerated father. Distinct examples of theatre performed in prisons are explored throughout the main text and also in a section of Critical Perspectives by international scholars and practitioners.

Obscured behind concrete and razor wire, the lives of the incarcerated remain hidden from public view. Inside the walls, imprisoned people all over the world stage theatrical productions that enable them to assert their humanity and capabilities. Prison Theatre and the Global Crisis of Incarceration offers a uniquely international account and exploration of prison theatre. By discussing a range of performance practices tied to incarceration, this book examines the ways in which arts practitioners and imprisoned people use theatre as a means to build communities, attain professional skills, create social change, and maintain hope. Ashley Lucas’s writing offers a distinctive blend of storytelling, performance analysis, travelogue, and personal experience as the child of an incarcerated father.

Distinct examples of theatre performed in prisons are explored throughout the main text and also in a section of Critical Perspectives by international scholars and practitioners.


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