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Projecting Imperial Power
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Projecting Imperial Power : New Nineteenth Century Emperors and the Public Sphere

Book Details

Format Hardback or Cased Book
ISBN-10 0198802471
ISBN-13 9780198802471
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jul 9th, 2021
Print length 360 Pages
Weight 706 grams
Dimensions 16.10 x 24.10 x 3.00 cms
Ksh 7,900.00
Werezi Extended Catalogue 0 in stock

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The nineteenth century is notable for its newly proclaimed emperors, from the well-known, such as Napoleon and Queen Victoria, to the lesser known, like Pedro II of Brazil. This book examines how emperors used images, religion, international exhibitions, and pageants to project their ijmperial power.
The nineteenth century is notable for its newly proclaimed emperors, from Franz I of Austria and Napoleon I in 1804, through Agustín of Mexico, Pedro I of Brazil, Napoleon III of France, Maximilian of Mexico, and Wilhelm I of Germany, to Victoria, empress of India, in 1876. These monarchs projected an imperial aura through coronations, courts, medals, costumes, portraits, monuments, international exhibitions, festivals, religion, architecture, and town planning. They relied on ancient history for legitimacy while partially espousing modernity. Projecting Imperial Power is the first book to consider together these newly proclaimed emperors in six territories on three continents across the whole of the long nineteenth century.The first emperors'' successors—Pedro II of Brazil, Franz Joseph of Austria, and Wilhelm II of Germany—expanded their panoply of power, until Pedro was forced to abdicate in 1889 and the First World War brought the Austrian and German empires to an end. Britain invented an imperial myth for its Indian empire in the twentieth century, but George VI still had to relinquish the title of emperor in 1947.Using a wide range of sources, Projecting Imperial Power explains the imperial ambition behind the cities of Berlin, Paris, Vienna, and New Delhi. It discusses the contested place of the emperors and their empires in national cultural memory by examining how the statues that were erected in huge numbers in the second part of the period are treated today.

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