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Proust’s Imaginary Museum : Reproductions and Reproduction in "A la recherche du temps perdu" - New

By: (Author) Gabrielle Townsend , (Series editor) J. Barrie Bullen

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Ksh 9,950.00

Format: Paperback / Softback

ISBN-10: 3039111248

ISBN-13: 9783039111244

Edition: New

Series: Cultural Interactions: Studies in the Relationship between the Arts

Publisher: Verlag Peter Lang

Imprint: Verlag Peter Lang

Country of Manufacture: CH

Country of Publication: GB

Publication Date: Apr 23rd, 2008

Print length: 234 Pages

Weight: 334 grams

Dimensions (height x width x thickness): 15.20 x 22.50 x 1.50 cms

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The traditional borders between the arts have been eroded to reveal new connections and create new links between art forms. Cultural Interactions is intended to provide a forum for this activity. It will publish monographs, edited collections and volumes of primary material on points of crossover such as those between literature and the visual arts or photography and fiction, music and theatre, sculpture and historiography.
This study of Marcel Proust’s creative imagination examines an aspect of the novel that has hitherto been largely overlooked: the author’s dependence on secondary visual sources. Proust made constant use of reproductions – photographs, engravings, postcards, illustrations in books – as sources of reference and as narrative devices in their own right. Furthermore, he consistently chose to use reproductions in preference to originals, whether people, places or works of art. Bringing together for the first time a mass of factual information documenting Proust’s use of second-hand images, the author argues that reproductions play a key role in the work’s complex, multi-layered structure. Rather than being hampered by their limitations, Proust took advantage of their distancing effect to free his imagination and to insert new layers of meaning into his narrative.

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