Pseudo-Kodinos and the Constantinopolitan Court: Offices and Ceremonies
Book Details
Format
Paperback / Softback
Book Series
Birmingham Byzantine and Ottoman Studies
ISBN-10
0367601192
ISBN-13
9780367601195
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 30th, 2020
Print length
580 Pages
Weight
870 grams
Dimensions
15.40 x 23.60 x 3.80 cms
Ksh 8,900.00
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The work known as Pseudo-Kodinos, the fourteenth-century text which is one of two surviving ceremonial books from the Byzantine Empire, is presented here for the first time in English translation. With facing page Greek text and the first in-depth analysis in the form of commentary and individual studies on the hierarchy, the ceremonies, court atti
The work known as Pseudo-Kodinos, the fourteenth-century text which is one of two surviving ceremonial books from the Byzantine empire, is presented here for the first time in English translation. With facing page Greek text and the first in-depth analysis in the form of commentary and individual studies on the hierarchy, the ceremonies, court attire, the Blachernai palace, lighting, music, gestures and postures, this volume makes an important new contribution to the study of the Byzantine court, and to the history and culture of Byzantium more broadly. The unique traits of this ceremony book include the combination of hierarchical lists of court officials with protocols of ceremonies; a detailed description of the clothing used at court, in particular, hats and staffs; an account of the functions of the court title holders, a description of the ceremonies of the year which take place both inside the palace and outside; the service of the megas domestikos in the army, protocols for the coronation of the emperor, the promotions of despot, sebastokrator and caesar, of the patriarch; a description of the mourning attire of the emperor; protocol for the reception of a foreign bride in Constantinople all these are analysed here. Developments in ceremonial since the tenth-century Book of Ceremonies are discussed, as is the space in which ceremonial was performed, along with a new interpretation of the ’other palace’, the Blachernai. The text reveals the anonymous authors’ interest in the past, in the origins of practices and items of clothing, but it is argued that Pseudo-Kodinos presents descriptions of actual practice at the Byzantine court, rather than prescriptions.
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