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Psychology of Music
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Psychology of Music : From Sound to Significance

Book Details

Format Hardback or Cased Book
ISBN-10 1138124664
ISBN-13 9781138124660
Publisher Taylor & Francis Ltd
Imprint Routledge
Country of Manufacture GB
Country of Publication GB
Publication Date Nov 1st, 2017
Print length 368 Pages
Weight 800 grams
Product Classification: Theory of music & musicologyPsychology
Ksh 24,300.00
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The only concise introduction to the subject, this thoroughly revised edition of The Psychology of Music combines a comprehensive summary with critical assessments of existing research. The text will be invaluable to students in the area and anyone else interested in the psychology of music.

In Psychology of Music: From Sound to Significance (2nd edition), the authors consider music on a broad scale, from its beginning as an acoustical signal to its different manifestations across cultures. In their second edition, the authors apply the same richness of depth and scope that was a hallmark of the first edition of this text. In addition, having laid out the topography of the field in the original book, the second edition puts greater emphasis on linking academic learning to real-world contexts, and on including compelling topics that appeal to students’ natural curiosity. Chapters have been updated with approximately 500 new citations to reflect advances in the field.

The organization of the book remains the same as the first edition, while chapters have been updated and often expanded with new topics. ''Part I: Foundations'' explores the acoustics of sound, the auditory system, and responses to music in the brain. ''Part II: The Perception and Cognition of Music'' focuses on how we process pitch, melody, meter, rhythm, and musical structure. ''Part III: Development, Learning, and Performance'' describes how musical capacities and skills unfold, beginning before birth and extending to the advanced and expert musician. And finally, ''Part IV: The Meaning and Significance of Music'' explores social, emotional, philosophical and cultural dimensions of music and meaning.

This book will be invaluable to undergraduates and postgraduate students in psychology and music, and will appeal to anyone who is interested in the vital and expanding field of psychology of music.


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