This series publishes critical scholarship that seeks to engage and transcend the disciplinary isolationism and genre confinement that now characterize so much of contemporary research in communication studies and related fields. It focuses on studies that address the broad intersections and hybrid trajectories that define the encounters between human groups in modern institutions and societies and the way these intersections are represented in contemporary popular cultural forms of knowledge.
Queer Italy is the first multi-methodological inquiry into the historical, political and representational contexts behind the current plea for civil unions that queers advocate in Italy. Concerned with the links between identity, subjectivity and sexuality in Italy, this book opens Italian studies to previously neglected discussion of queer and migrant subjectivities. The author applies Lacanian film analysis and auto-ethnographic passages to question the uses of queer politics in Italy. Accessible and comprehensive, this is an ideal text for undergraduate and graduate courses on Italian culture, cultural studies and film studies.
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