Radio Modernism : Literature, Ethics, and the BBC, 1922–1938
by
Todd Avery
Book Details
Format
Paperback / Softback
ISBN-10
113827402X
ISBN-13
9781138274020
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Sep 9th, 2016
Print length
166 Pages
Weight
266 grams
Dimensions
15.60 x 23.20 x 1.50 cms
Product Classification:
Literary studies: generalMedia studiesRadio & television industry
Ksh 10,100.00
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Weaving together the BBC''s institutional history and developments in ethical philosophy, Todd Avery shows how the involvement of writers like T. S. Eliot, H. G. Wells, E. M. Forster, and Virginia Woolf with radio helped to shape the ethical contours of literary modernism. His book recaptures for a twenty-first-century audience the interest, fascination, excitement, and often consternation that British radio induced in its literary listeners following its inception in 1922.
Radio Modernism marries the fields of radio studies and modernist cultural historiography to the recent ''ethical turn'' in literary and cultural studies to examine how representative British writers negotiated the moral imperative for public service broadcasting that was crafted, embraced, and implemented by the BBC''s founders and early administrators. Weaving together the institutional history of the BBC and developments in ethical philosophy as mediated and forged by writers such as T. S. Eliot, H. G. Wells, E. M. Forster, and Virginia Woolf, Todd Avery shows how these and other prominent authors'' involvement with radio helped to shape the ethical contours of literary modernism. In so doing, Avery demonstrates the central role radio played in the early dissemination of modernist art and literature, and also challenges the conventional assertion that modernists were generally elitist and anti-democratic. Intended for readers interested in the fields of media and cultural studies and modernist historiography, this book is remarkable in recapturing for a twenty-first-century audience the interest, fascination, excitement, and often consternation that British radio induced in its literary listeners following its inception in 1922.
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