Rameau's Nephew / D'alembert's Dream

One of the key figures of the French Enlightenment, Denis Diderot was a passionate critic of conventional morality, society and religion. Among his greatest and most well-known works, these two dialogues are dazzling examples of his radical scientific and philosophical beliefs. In Rameau's Nephew, the eccentric and foolish nephew of the great composer Jean-Philippe Rameau meets Diderot by chance, and the two embark on a hilarious consideration of society, music, literature, politics, morality and philosophy. Its companion-piece, D'Alembert's Dream, outlines a material, atheistic view of the universe, expressed through the fevered dreams of Diderot's friend D'Alembert. Unpublished during his lifetime, both of these powerfully controversial works show Diderot to be one of the most advanced thinkers of his age, and serve as fascinating testament to the philosopher's wayward genius.

Voltaire, Rousseau, Diderot—of the triumvirate that dominated French letters in the eighteenth century, Diderot was unmatched in the sheer breadth and depth of his interests and ideas. Rameau’s Nephew and D’Alembert’s Dream are dazzling exposés of Diderot’s radical scientific and philosophical thinking. Written in dialogue form, they were too outspoken to be published during the lifetime of one whose ideas earned him enemies as fast as they stimulated new criteria for social progress. Of the two pieces, Rameau’s Nephew was composed over many years, and in form and content it is an explosive cocktail unlike anything in French literature before or since. D’Alembert’s Dream, on the other hand, was committed to paper in a matter of days; a clarion call for the cause of materialist determinism, it too shows Diderot as one of the most advanced thinkers of his age and is a powerful testament to the bizarre and unpredictable genius of its creator.