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Reading in Proust's A la recherche
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Reading in Proust's A la recherche : le delire de la lecture'

Book Details

Format Hardback or Cased Book
ISBN-10 0199566178
ISBN-13 9780199566174
Publisher Oxford University Press
Imprint Oxford University Press
Country of Manufacture GB
Country of Publication GB
Publication Date Jun 18th, 2009
Print length 202 Pages
Weight 392 grams
Dimensions 22.30 x 14.40 x 1.70 cms
Ksh 14,100.00 Manufactured on Demand

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Adam Watt's critical study of Proust's A la recherche du temps perdu, focuses on the role of the acts of reading depicted in the seminal novel. Reading is shown to be a formative and often troubling force in the life of the novel's narrator.
Through close textual analysis of the scenes of reading in Proust''s A la recherche du temps perdu, Adam Watt offers an invigorating new study of the novel and previously unacknowledged paths through it. After considering key childhood ''Primal Scenes'' which mark the act of reading as revelatory and potentially traumatic, the book then identifies and examines the interwoven strands of the novel''s narrative of reading: showing that scenes where the narrator reads and where others provide ''lessons in reading'' are intricately connected within the narrator''s ever unfolding considerations of intelligence, sense experience, knowledge, and desire. These acts of reading, often bewildering the narrator with their mix of illuminations, wrong turns and over-determinations, lead us to interrogate our own understanding of the act we accomplish as we read A la recherche. This book emphasizes the complexities and contradictions with which reading (always inescapably an engagement of both mind and body) is riven, and which connect it repeatedly to the experience of involuntary memory. Reading is shown to be frequently fraught with heady instability-''délire''-of a highly revealing sort, from which narrator and readers alike have much to learn. The book''s final chapter shows how the narrator''s critical energies, turned contemplatively inwards in the Guermantes'' library, are subsequently turned outwards for a final interpretive effort-the reading of his now aged acquaintances at the ''Bal de têtes''-in a shift that provides the narrator not only the confidence to begin his work of art, but also the humility to face, undeterred, the approach of death.

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