Reading in the Wilderness – Private Devotion and Public Performance in Late Medieval England : Private Devotion and Public Performance in Late Medieval England
Book Details
Format
Hardback or Cased Book
ISBN-10
0226071324
ISBN-13
9780226071329
Publisher
The University of Chicago Press
Imprint
University of Chicago Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 15th, 2007
Print length
344 Pages
Weight
820 grams
Dimensions
23.50 x 16.20 x 3.50 cms
Product Classification:
History of art: Byzantine & Medieval art c 500 CE to c 1400History of artLiterary studies: ancient, classical and medievalLiterary studies: classical, early & medievalLiterary studies: fiction, novelists & prose writersLiterary studies: fiction, novelists and prose writersBritish & Irish historyEarly history: c 500 to c 1450/1500Christian communities & monasticismHistoryEuropean historyChristianity
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Presents an argument that Additional MS 37049, a Carthusian miscellany housed in the British Library closes the gap between group spectatorship and private study in late medieval England. This book addresses the manuscript's texts and illustrations to examine connections between reading and performance within the solitary monk's cell and outside.
Just as twenty-first-century technologies such as blogs and wikis have transformed the once-private act of reading into a public enterprise, devotional reading experiences in the Middle Ages were dependent upon an oscillation between the solitary and the communal. In "Reading in the Wilderness", Jessica Brantley uses tools from both literary criticism and art history to illuminate Additional MS 37049, an illustrated Carthusian miscellany housed in the British Library. This revealing artifact, Brantley argues, closes the gap between group spectatorship and private study in late medieval England. Drawing on the work of W. J. T. Mitchell, Michael Camille, and others working at the image-text crossroads, "Reading in the Wilderness" addresses the manuscript's texts and illustrations to examine connections between reading and performance within the solitary monk's cell and outside. Brantley re-imagines the medieval codex as a site where the meanings of images and words are performed, both publicly and privately, in the act of reading.
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