Receipt : Poems
Book Details
Format
Paperback / Softback
ISBN-10
1571314725
ISBN-13
9781571314727
Publisher
Milkweed Editions
Imprint
Milkweed Editions
Country of Manufacture
GB
Country of Publication
GB
Publication Date
May 26th, 2016
Print length
96 Pages
Weight
124 grams
Product Classification:
Poetry by individual poets
Ksh 2,150.00
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In her second collection, Karen Leona Anderson transforms apparently prosaic documents -- recipes and receipts -- into expressions of human identity. From eighteenth-century cookbooks to the Food Network, the recipe becomes a site for definition and disclosure. Like a theatrical script, the recipe directs action and conjures characters. Grace Kelly at a party. In these poems, the pie is a cultural artifact and Betty Crocker, icon of domesticity, looms large. From the little black dress ($49.99 Nordstroms) to an epidural ($25.00 co-pay), Anderson reveals life in the twenty-first century to be equally hampered and enabled by expenditures. Amidst personal and domestic economies, wildness proliferates -- bats, deer, ocelots, and fungus -- reminding the reader that not all can be assimilated, eaten, or spent. Receipt is like the lovechild of Anne Sexton and Adam Smith, illuminating the ways in which our lives are both constrained by pieces of paper, and able to slip through the crevices of cultural detritus down to the rich current of animal feeling beneath.
In her second collection, Karen Leona Anderson transforms apparently prosaic documents — recipes and receipts — into expressions of human identity. From eighteenth-century cookbooks to the Food Network, the recipe becomes a site for definition and disclosure. Like a theatrical script, the recipe directs action and conjures characters. Grace Kelly at a party. In these poems, the pie is a cultural artifact and Betty Crocker, icon of domesticity, looms large. From the little black dress ($49.99 Nordstroms) to an epidural ($25.00 co-pay), Anderson reveals life in the twenty-first century to be equally hampered and enabled by expenditures. Amidst personal and domestic economies, wildness proliferates — bats, deer, ocelots, and fungus — reminding the reader that not all can be assimilated, eaten, or spent.
Receipt is like the lovechild of Anne Sexton and Adam Smith, illuminating the ways in which our lives are both constrained by pieces of paper, and able to slip through the crevices of cultural detritus down to the rich current of animal feeling beneath.
Receipt is like the lovechild of Anne Sexton and Adam Smith, illuminating the ways in which our lives are both constrained by pieces of paper, and able to slip through the crevices of cultural detritus down to the rich current of animal feeling beneath.
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