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Refiguring the Hero : From Peasant to Noble in Lope de Vega and Calderon

By: (Author) Dian Fox

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Ksh 5,850.00

Format: Paperback / Softback

ISBN-10: 0271026332

ISBN-13: 9780271026336

Series: Studies in Romance Literatures

Publisher: Pennsylvania State University Press

Imprint: Pennsylvania State University Press

Country of Manufacture: GB

Country of Publication: GB

Publication Date: Sep 15th, 1991

Print length: 260 Pages

Weight: 594 grams

Dimensions (height x width x thickness): 22.90 x 15.20 x 1.80 cms

Product Classification: Literature: history & criticism

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Refiguring the Hero reassesses the social significance of several of the most widely read plays of Spain's Golden Age in light of then-contempory ideas about heroism. The Spanish dramatists Lope de Vega and Pedro Calderón de la Barca, near contemporaries of Shakespeare, are hailed by Hispanists as democrats at heart for making heroes, in both the literary and the positive moral sense, of peasants. Spanish drama is alleged to be the first literature in the Western world to find the common man worthy of heroic status. Refiguring the Hero reevaluates the place of the canon of Spanish Golden Age drama within its European context. The book discusses European literary heroism through the seventeenth century,with particular attention to the Spanish or moral enlightenment were essential characteristics of a hero. However, the protagonists of Spanish "peasant honor" plays do not fit into this heroic tradition. The peasant often murders a nobleman who has offended his honor, and is rewarded by the reigning monarch. The peasants gain official approval by misrepresenting the events leading up to the murders. The generous kings, in their turn, are historical figures known for their failures. While most scholars approaching Spanish Golden Age drama regard these plays a s socially subversive or revolutionary, Dian Fox contends that they are consistent with other contemporary European national dramas in reserving heroism in serious works for socially superior characters. She challenges the "democratic" view of the peasant triumphing over the nobleman as heroic and shows that political and social developments since the seventeenth century have enhanced the sympathy with which modern readers regard the violent acts of the peasants in these plays.

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