Reimagining Life : Philosophical Pessimism and the Revolution of Surrealism
by
Raihan Kadri
Book Details
Format
Hardback or Cased Book
ISBN-10
1611470129
ISBN-13
9781611470123
Publisher
Associated University Presses
Imprint
Fairleigh Dickinson University Press
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jun 7th, 2011
Print length
206 Pages
Weight
858 grams
Dimensions
28.60 x 21.90 x 1.90 cms
Product Classification:
Theory of artHistory of art / art & design stylesHistory of artPhilosophyPhilosophy: epistemology & theory of knowledgeReligion: generalPhilosophy of religionHistory of ideasHistory of ideasPsychologyPhilosophyPhilosophy: epistemology and theory of knowledgeReligion: generalPhilosophy of religion
Ksh 18,000.00
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The innovative, wide-ranging study deftly traverses fields of art, politics, philosophy, psychology, and literature. Reimagining Life redefines Surrealism's place in modern intellectual history and offers a new vision of how Surrealist discourse can be connected to contemporary debates in cultural, critical, and theoretical studies.
In Reimagining Life, Raihan Kadri presents a pioneering critical history of the epistemological and theoretical origins of the Surrealist movement and its subsequent legacy. The book contains extensive examination and new interpretations of the oft-neglected theoretical writing of Surrealists such as Louis Aragon, Antonin Artaud, André Breton, and Salvador Dalí, in order to demonstrate how Surrealism embodied a sensibility connected to a broader lineage of philosophical pessimism—involving such figures as Friedrich Nietzsche, Karl Marx, and Arthur Rimbaud—which Kadri argues represents a particular strain of modernism aimed at breaking human thought away from the constraint of various forms of idealism, expanding the possibilities for knowledge and human freedom. This innovative, wide-ranging study deftly traverses fields of art, politics, philosophy, psychology, and literature. Reimagining Life redefines Surrealism’s place in modern intellectual history and offers a new vision of how Surrealist discourse can be connected to contemporary debates in cultural, critical, and theoretical studies.
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