Religion and Art in the Heart of Modern Manhattan : St. Peter’s Church and the Louise Nevelson Chapel
Book Details
Format
Paperback / Softback
ISBN-10
1138548243
ISBN-13
9781138548244
Publisher
Taylor & Francis Ltd
Imprint
Routledge
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Apr 25th, 2018
Print length
288 Pages
Weight
570 grams
Dimensions
17.40 x 24.50 x 1.80 cms
Product Classification:
History of art / art & design stylesReligious subjects depicted in artHistory of architecture
Ksh 9,100.00
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For the first time, this volume examines the astounding cultural output of St. Peter''s Lutheran Church, set in the heart of midtown Manhattan. Working from a wide range of disciplines, including art history, theology, musicology, and cultural studies, a distinguished group of scholars demonstrate how an innovative fusion of modern art, architecture, design and jazz ministry at St. Peter''s serves as a springboard for wider reflections on the challenges and possibilities which arise when religion and art intersect in the modern city.
"When you''re in New York" the sculptor Louise Nevelson once said, "you''re in perpetual resurrection." She might have said the same thing about St. Peter''s Lutheran Church, set in the heart of midtown Manhattan. In the 1970s the church made a radical move, scrapping its neo-gothic building for a sleek modern structure in the shadow of a skyscraper. The transformation was not just architectural. Inside, Nevelson created a shimmering chapel, while over the years artists and designers such as Willem de Kooning, Kiki Smith, and Massimo and Lella Vignelli produced works for the sanctuary. This fusion of modern art, architecture, and design was complemented by an innovative jazz ministry, including funerals for Billy Strayhorn and John Coltrane, and performances by Duke Ellington and other jazz legends. For the first time, this volume examines the astounding cultural output of this single church. Just as importantly, the story of St. Peter''s serves as a springboard for wider reflections on the challenges and possibilities which arise when religion and art intersect in the modern city. Working from a wide range of disciplines, including art history, theology, musicology, and cultural studies, a distinguished group of scholars demonstrate that this church at the center of New York City deserves an equally central place in contemporary scholarship.
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