Book Details
Format
Hardback or Cased Book
ISBN-10
331999171X
ISBN-13
9783319991719
Edition
2018 ed.
Publisher
Springer International Publishing AG
Imprint
Palgrave Macmillan
Country of Manufacture
CH
Country of Publication
GB
Publication Date
Oct 2nd, 2018
Print length
316 Pages
Weight
522 grams
Dimensions
15.50 x 22.30 x 2.60 cms
Product Classification:
The arts: general issuesThe arts: general topicsReligious and ceremonial artsReligious subjects depicted in artFilm theory & criticismFilm history, theory or criticismLiterary studies: fiction, novelists & prose writersLiterary studies: fiction, novelists and prose writersReligious issues & debatesReligious issues and debates
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Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems.
Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
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