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Renegade Snares
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Renegade Snares : The Resistance And Resilience Of Drum & Bass

Book Details

Format Paperback / Softback
ISBN-10 1911036793
ISBN-13 9781911036791
Publisher Outline Press Ltd
Imprint Jawbone
Country of Manufacture CN
Country of Publication GB
Publication Date Sep 17th, 2021
Print length 320 Pages
Weight 618 grams
Dimensions 15.30 x 21.50 x 2.80 cms
Product Classification: Electronic music
Ksh 2,800.00
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The story of the UK s most revolutionary form of electronic dance music, drum & bass, charting its multicultural roots, resistance to a hostile establishment, and rise to global popularity.
Renegade Snares is the definitive book on drum & bass music. Pieced together using original interviews conducted with all the scene’s main players, it traces the history of jungle/drum & bass from its early roots in sound system culture and rave music right through to the present day.

With its hyper-speed breakbeats, warping bass pressure, and vast spectrum of sounds, drum & bass quick spawned a whole new movement in youth culture. What began as an outlaw street reverberation from the inner cities of Britain developed into a Mercury-winning, chart-topping, world-conquering genre in just a few short years. The frontier-breaking sorcery that emanated from its foundational producers and DJs pushed new levels of sonic science into the music world, and it has influenced all other electronic music genres in assorted ways.

From the shock of the new to a global phenomenon, drum & bass has morphed from frowned-upon marginalisation to establishment approval—and back again. A multicultural triumph, it is a story of resistance and resilience that takes in pioneers such as Goldie, Roni Size, Kemistry & Storm, Photek, Fabio & Grooverider, and many more renegade mavericks—even, at one point, David Bowie.

With vivid descriptions of key tracks and a detailed lineage of the scene’s development, Renegade Snares traces the genre’s gestation while also examining its musical twists and turns, worldwide spread, and enduring popularity. And, ultimately, it asks: surely a genre of music with such a significant grounding in black music culture, developed by so many black pioneers in its formative years, could never be ‘whitewashed’ . . . could it?

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