Rethinking Utopia : Place, Power, Affect

Returning to the three constituent parts of the word: ''good'' (eu), ''place'' (topos) and ''no'' (ou); Bell reflects how these words might be thought ''nomadically'' – via a constellation of theory that asserts the importance of affective relations and posits difference as ontologically prior to identity. The ''good'' draws on Deleuze and Spinoza''s affective ethical thought; ''place'' from contemporary political geography; and the ''no'' theorized via a reading of Ahmed''s critique of happiness and Foucault''s work on power.  Among the first to offer an extended reading of utopia through the lens of affect, whilst maintaining a critical stance vis a vis the recent ''affective turn'' in the social sciences.

Over five hundred years since it was named, utopia remains a vital concept for understanding and challenging the world(s) we inhabit, even in – or rather because of – the condition of ‘post-utopianism’ that supposedly permeates them. In Rethinking Utopia David M. Bell offers a diagnosis of the present through the lens of utopia and then, by rethinking the concept through engagement with utopian studies, a variety of ‘radical’ theories and the need for decolonizing praxis, shows how utopianism might work within, against and beyond that which exists in order to provide us with hope for a better future.

He proposes paying a ‘subversive fidelity’ to utopia, in which its three constituent terms: ‘good’ (eu), ‘place’ (topos), and ‘no’ (ou) are rethought to assert the importance of immanent, affective relations. The volume engages with a variety of practices and forms to articulate such a utopianism, including popular education/critical pedagogy; musical improvisation; and utopian literature. The problems as well as the possibilities of this utopianism are explored, although the problems are often revealed to be possibilities, provided they are subject to material challenge.

engages with the spatial and affective turns in the social sciences without ever uncritically being subsumed by them; and seeks to make connections to indigenous cosmologies. It is a cautious, careful, critical work punctuated by both pessimism and hope; and a refusal to accept the finality of this or any world.