Return to the Interactive Past : The Interplay of Video Games and Histories
Book Details
Format
Paperback / Softback
ISBN-10
9088909121
ISBN-13
9789088909122
Publisher
Sidestone Press
Imprint
Sidestone Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 21st, 2021
Print length
200 Pages
Weight
522 grams
Dimensions
23.00 x 30.20 x 1.90 cms
Product Classification:
HistoryArchaeologyHistoryArchaeologyVirtual worlds
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Explore the complex and creative interplay between video games and humanity’s past.
A defining fixture of our contemporary world, video games offer a rich spectrum of engagements with the past. Beyond a source of entertainment, video games are cultural expressions that support and influence social interactions. Games educate, bring enjoyment, and encourage reflection. They are intricate achievements of coding and creative works of art. Histories, ranging from the personal to the global, are reinterpreted and retold for broad audiences in playful, digital experiences. The medium also magnifies our already complicated and confrontational relation with the past, for instance through its overreliance on violent and discriminatory game mechanics. This book continues an interdisciplinary conversation on game development and play, working towards a better understanding of how we represent and experience the past in the present. Return to the Interactive Past offers a new collection of engaging writings by game creators, historians, computer scientists, archaeologists, and others. It shows us the thoughtful processes developers go through when they design games, as well as the complex ways in which players interact with games. Building on the themes explored in the book The Interactive Past (2017), the authors go back to the past to raise new issues. How can you sensitively and evocatively use veterans’ voices to make a video game that is not about combat? How can the development of an old video game be reconstructed on the basis of its code and historic hardware limitations? Could hacking be a way to decolonize games and counter harmful stereotypes? When archaeologists study games, what kinds of maps do they draw for their digital fieldwork? And in which ways could we teach history through playing games and game-making?
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