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Rhetorics of Nepantla, Memory, and the Gloria Evangelina Anzaldua Papers
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Rhetorics of Nepantla, Memory, and the Gloria Evangelina Anzaldua Papers : Archival Impulses

Revised

Book Details

Format Hardback or Cased Book
ISBN-10 1498598404
ISBN-13 9781498598408
Edition Revised
Publisher Bloomsbury Publishing Plc
Imprint Lexington Books
Country of Manufacture GB
Country of Publication GB
Publication Date Feb 14th, 2022
Print length 206 Pages
Weight 456 grams
Dimensions 23.50 x 16.00 x 2.00 cms
Ksh 15,550.00
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Archival Impulses explores the intersection of Chicana/o/x studies, Latina/o/x studies, archival studies, and public memory by examining the archival homes of cultural critic Gloria Anzaldúa. This book illustrates how her archive mirrors her philosophy of theories of the flesh and contains objects that, when placed together by the rhetor, perform the embodied ways of knowing of which she writes. Anzaldúa’s archive is a generative space that requires a rhetorical perspective that is expansive, intersectional, and flexible enough to handle interactions between the objects found within and across archives. This book provides an account of how to discuss these interactions in theoretically and experientially meaningful ways. From the analysis of Anzaldúa’s public speeches, the parallels between her birth certificate and creative writing, the planning documents of the 1995 Entre Américas: El Taller Nepantla artist retreat, and more, the author contributes to the fields of archival methods, gender and women’s studies, Anzaldúan scholarship, public memory, and rhetorical studies by illustrating why engaging the archives of women of color matters.

Archival Impulses explores the intersection of Chicana/o/x studies, Latina/o/x studies, archival studies, and public memory by examining the archival homes of cultural critic Gloria Anzaldúa. This book illustrates how her archive mirrors her philosophy of theories of the flesh and contains objects that, when placed together by the rhetor, perform the embodied ways of knowing of which she writes. Anzaldúa’s archive is a generative space that requires a rhetorical perspective that is expansive, intersectional, and flexible enough to handle interactions between the objects found within and across archives. This book provides an account of how to discuss these interactions in theoretically and experientially meaningful ways. From the analysis of Anzaldúa’s public speeches, the parallels between her birth certificate and creative writing, the planning documents of the 1995 Entre Américas: El Taller Nepantla artist retreat, and more, the author contributes to the fields of archival methods, gender and women’s studies, Anzaldúan scholarship, public memory, and rhetorical studies by illustrating why engaging the archives of women of color matters.


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