Book Details
Format
Hardback or Cased Book
Book Series
Modern American Literature
ISBN-10
1433110512
ISBN-13
9781433110511
Edition
New
Publisher
Peter Lang Publishing Inc
Imprint
Peter Lang Publishing Inc
Country of Manufacture
US
Country of Publication
GB
Publication Date
Jun 30th, 2010
Print length
138 Pages
Weight
400 grams
Dimensions
15.70 x 23.00 x 1.50 cms
Product Classification:
Literary studies: from c 1900 -ELT background & reference materialGender studies: women
Ksh 12,550.00
Manufactured on Demand
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By framing Richard Ford's contemporary representations of masculinity within a more general context of American literature, this book reveals how his texts continue along a trajectory of earlier American fiction while they also re-examine masculinity in new, more complex ways.
Richard Ford and the Fiction of Masculinities demonstrates how contemporary U.S. novelist Richard Ford, winner of the Pulitzer Prize for literature, rewrites gender, and in particular masculinity, from highly subversive and innovative perspectives. Josep M. Armengol analyzes the construction, as well as the de-construction, of masculinity in all of Ford’s major fictional texts to date, ranging from A Piece of My Heart to The Sportswriter to The Lay of the Land. Given its simultaneous critique of traditional masculinity and its depiction of alternative models of being a man, Ford’s fiction is shown to be particularly interesting from a men’s studies perspective, which aims not only to undermine patriarchal masculinity but also to look for new, non-hierarchical, and more egalitarian models of being a man in contemporary U.S. culture and literature.
By framing Ford’s contemporary representations of masculinity within a more general context of American literature, this book reveals how his texts continue along a trajectory of earlier American fiction while they also re-examine masculinity in new, more complex ways. Richard Ford and the Fiction of Masculinities contributes to the much-needed revision of men and masculinities in U. S. literature, and especially Richard Ford’s fiction, where constructions of gender and masculinity remain, paradoxically enough, largely unexplored.
By framing Ford’s contemporary representations of masculinity within a more general context of American literature, this book reveals how his texts continue along a trajectory of earlier American fiction while they also re-examine masculinity in new, more complex ways. Richard Ford and the Fiction of Masculinities contributes to the much-needed revision of men and masculinities in U. S. literature, and especially Richard Ford’s fiction, where constructions of gender and masculinity remain, paradoxically enough, largely unexplored.
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