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By: (Author) Neal Swettenham
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Richard Foreman has been writing, directing and designing avant-garde theatre in New York since he first founded his Ontological-Hysteric company there in 1968. In all that time, few directors have taken up the challenge of staging his problematic, rewarding texts, and Foreman''s work remains under-explored by other practitioners.
Richard Foreman: An American (Partly) in Paris argues that Foreman can productively be viewed as a (partly) European artist, whose thinking and theatre-making have been radically shaped by contact with Europe. Through a detailed account of his European productions, interviews with Foreman himself, a set of practical strategies for staging the plays and the full text of Foreman''s previously unpublished play Georges Batailles Bathrobe (1983), Neal Swettenham introduces the directors work to a new generation of readers and theatre-makers.
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