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Robert Crumb. Sketchbook Vol. 4. 1982–1989
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Robert Crumb. Sketchbook Vol. 4. 1982–1989 : Sketchbook Vol. 4. 1982–1989

Book Details

Format Hardback or Cased Book
ISBN-10 3836566966
ISBN-13 9783836566964
Publisher Taschen GmbH
Imprint Taschen GmbH
Country of Manufacture LV
Country of Publication GB
Publication Date Jul 17th, 2018
Print length 440 Pages
Weight 1,446 grams
Dimensions 27.20 x 20.80 x 4.00 cms
Ksh 7,200.00
Re-Printing 0 in stock

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The first three volumes of this series were met with the highest acclaim; expect this book to be no different. Combining volumes 7 and 8 from the first boxed set, it spans the years 1982 to 1989 and is filled with his signature perversions (in country settings), scathing social commentary, cruel self-portraits, experimental cubism… and some lovely sylvan landscape.

The first three volumes of this series were met with fervent acclaim from our readers, most of whom have been lying in wait for an affordable trade edition since the $ 1,000 boxed sets appeared. They laud these 440-page editions for their quality hardcover, elegant matte paper, and impeccable reproduction as the best of the best—the perfect tribute to the world’s favorite dirty old man.

Expect this book to be no different. Combining volumes 7 and 8 from the first boxed set (confusing, we know), it spans the years 1982 to 1989, a period when the artist was comfortably ensconced in rural California, raising his young daughter Sophie, who appears throughout this volume. But Crumb was still Crumb, declaring in one drawing, above a lovingly rendered tree, “As I get older I get more twisted, convoluted, depraved, cynical, embittered, self-centered, jaded, debauched, ruthless, greedy, conceited, set-in-my-ways, long-winded, absent-minded, prejudiced, closed-minded, misanthropic, nervous…”

To prove this self-flagellating analysis he fills the pages with his signature perversions (in country settings), scathing social commentary, cruel self-portraits, experimental cubism… and some lovely sylvan landscape. His mastery of the Rapidograph pen is at its zenith here in his 40s; we only wish he’d chosen to include his prescient comic of Donald Trump from 1989.


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