Robert Ryman : Early and Late

An extensive look at Robert Ryman’s formative work from the early 1960s, as well as his last series of paintings. In the 1960s, Robert Ryman began to firmly establish the broad parameters of his radical and inventive practice. While he initially gained recognition for work he made in the late 1960s and early 1970s, his earlier paintings have remained less widely seen. This publication includes representative works of all facets of Ryman’s painterly practice during this time—influenced by his career as a jazz musician—including his use of thick impasto brushstrokes on both stretched and unstretched canvas; heavily or sparsely worked paintings in both small and large formats; and a group of rarely seen works on raw linen, each featuring one or several seemingly complete, independent compositions. Many of these works feature subtle suggestions of colorful underpainting that leave an outsized effect on the viewing experience, while in other works Ryman’s assertive use of green, red, and blue intensifies the visual presence of the various white tones. Revealing the breadth of Ryman’s work, this catalogue also includes a selection of drawings, many of which were made concurrently with the early works, as well as his last paintings. The final canvases demonstrate the inexhaustible and probing nature of Ryman’s singular approach to painting over his five-decade career. The details reveal the visual presence of various white tones, creating an interplay between color and absence and dimensionality that characterizes much of Ryman’s oeuvre.

An extensive look at Robert Ryman’s formative work from the early 1960s, as well as his last series of paintings

In the 1960s, Robert Ryman began to firmly establish the broad parameters of his radical and inventive practice. While he initially gained recognition for work he made in the late 1960s and early 1970s, his earlier paintings have remained less widely seen.

This publication includes representative works of all facets of Ryman’s painterly practice during this time—influenced by his career as a jazz musician—including his use of thick impasto brushstrokes on both stretched and unstretched canvas; heavily or sparsely worked paintings in both small and large formats; and a group of rarely seen works on raw linen, each featuring one or several seemingly complete, independent compositions. Many of these works feature subtle suggestions of colorful underpainting that leave an outsized effect on the viewing experience, while in other works Ryman’s assertive use of green, red, and blue intensifies the visual presence of the various white tones.

Revealing the breadth of Ryman’s work, this catalogue also includes a selection of drawings, many of which were made concurrently with the early works, as well as his last paintings. The final canvases demonstrate the inexhaustible and probing nature of Ryman’s singular approach to painting over his five-decade career. The details reveal the visual presence of various white tones, creating an interplay between color and absence and dimensionality that characterizes much of Ryman’s oeuvre.