Rocks in Motion : Dakhleh Oasis Petroglyphs in the Context of Paths, Roads and Mobility
Book Details
Format
Hardback or Cased Book
ISBN-10
1789259754
ISBN-13
9781789259759
Publisher
Oxbow Books
Imprint
Oxbow Books
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jun 15th, 2024
Print length
336 Pages
Weight
1,544 grams
Dimensions
30.40 x 21.70 x 2.60 cms
Product Classification:
Archaeology by period / regionEgyptian archaeology / Egyptology
Ksh 11,350.00
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An introduction to and analysis of the rich assemblage of petroglyphic rock art in the Dakhleh Oasis from the early Holocene to medieval periods.
Rock art in Dakhleh was produced for perhaps as long as 10 millennia, resulting in the formation of hundreds of sites displaying thousands of images. In some places, petroglyphs form a true melting pot of iconographic creations, elsewhere only isolated depictions appear on rock surfaces. Various rock art traditions, from prehistoric, through pharaonic, Graeco-Roman, and mediaeval, have all added to a tremendous variety of petroglyphs, their formal traits and subject matter.This book is the first ever monograph on Dakhleh Oasis rock art, providing both an introduction to the versatile topic as well as an overview of the current state of research. It is designed as a collection of essays that deal with specific aspects of the research. The reader is offered here not only old and new documentation, much of it previously unpublished, but also a great deal of innovative interpretation.All chapters, although devoted to different case studies, revolve around an all-encompassing concept of landscape of motion. It is argued here that rock art, regardless of its date of origin, was (and is) always involved in certain dynamic contexts. In Dakhleh, the majority of petroglyphs – especially during historical periods – were produced in spatial contexts of paths and routes, and thus by people on the move. It is argued here that various kinds of movement were often a significant factor contributing to the meaning and function of the images. The intention of this book is to explore and unveil such contexts, which may prove somewhat elusive if we focus our analyses exclusively on the representational aspects of rock art. Such a type of integration of rock art, landscape and motion is the major aim of this work, and has hopefully been achieved by merging perspectives and concepts derived from Egyptology, Anthropology, and other social sciences.
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