Roman Monarchy and the Renaissance Prince
by
Peter Stacey
Book Details
Format
Paperback / Softback
Book Series
Ideas in Context
ISBN-10
0521205387
ISBN-13
9780521205382
Publisher
Cambridge University Press
Imprint
Cambridge University Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Jan 26th, 2012
Print length
360 Pages
Weight
532 grams
Dimensions
15.10 x 22.90 x 2.70 cms
Product Classification:
European historyEarly history: c 500 to c 1450/1500Western philosophy: Ancient, to c 500Western philosophy: Medieval & Renaissance, c 500 to c 1600Social & political philosophyHistory of ideasHistory of ideasPolitical science & theoryPolitical science and theoryPolitical structure & processesPolitical structure and processesHistoryEuropean historyAncient Greek and Roman philosophyMedieval Western philosophySocial and political philosophy
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Beginning with a sustained analysis of Seneca's theory of monarchy in the treatise De clementia, in this text Stacey traces the formative impact of ancient Roman political philosophy upon medieval and Renaissance thinking about princely government on the Italian peninsula from the time of Frederick II to the early modern period.
Beginning with a sustained analysis of Seneca's theory of monarchy in the treatise De clementia, in this text Peter Stacey traces the formative impact of ancient Roman political philosophy upon medieval and Renaissance thinking about princely government on the Italian peninsula from the time of Frederick II to the early modern period. Roman Monarchy and the Renaissance Prince offers a systematic reconstruction of the pre-humanist and humanist history of the genre of political reflection known as the mirror-for-princes tradition - a tradition which, as Stacey shows, is indebted to Seneca's speculum above all other classical accounts of the virtuous prince - and culminates with a comprehensive and controversial reading of the greatest work of renaissance political theory, Machiavelli's The Prince. Peter Stacey brings to light a story which has been lost from view in recent accounts of the Renaissance debt to classical antiquity, providing a radically revisionist account of the history of the Renaissance prince.
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