Book Details
Format
Hardback or Cased Book
ISBN-10
1899828281
ISBN-13
9781899828289
Edition
Multilingual
Publisher
Pindar Press
Imprint
Pindar Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Dec 31st, 2004
Print length
446 Pages
Weight
1,412 grams
Dimensions
17.70 x 24.60 x 3.30 cms
Product Classification:
History of art: Byzantine & Medieval art c 500 CE to c 1400
Ksh 21,950.00
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These two volumes bring together Professor Sauerländer's papers on Romanesque art, covering themes like structures, classification, geography, and its development in Italy and the Empire. Early studies are updated with references to recent literature, and a comprehensive index is included.
Volumes I and II bring together Professor Sauerländer''s papers on Romanesque art, and complement his two previously published volumes in this series on Gothic art. The studies are again grouped around a number of common themes: structures, problems of classification, the geography of Romanesque art, and its development in Italy and the Empire. Early studies have been updated with references to the more recent literature, and there is a comprehensive index. Volume I Contents: Introduction; Forms and Structures. Romanesque Sculpture in its Architectural Context; Façade ou façades romanes; Reliquien, Altäre und Portale; Die gestörte Ordnung oder "le chapiteau historié"; Initialen. Ein Versuch ueber das verworrene Verhältnis von Bild und Schrift im Mittelalter; The Limits of Classification. Die Geographie der Stile; Style or Transition? The Fallacies of Classification discussed in the Light of German Architecture 1190-1260; Sermonizing in Stone. Über die Komposition des Weltgerichts-Tympanons in Autun; Omnes perversi sic sunt in Tartara Mersi. Skulptur als Bildpredikt. Das Weltgerichtstympanon von Sainte-Foy in Conques; Nisi transmutetis mores. Riflessioni sull''ambiguita dell''iconografia romanica; The Diversity of French Examples. Chefs-d''Oeuvre romans des musées de province; Gislebertus von Autun. Ein Beitrag zur Entstehung seines kuenstlerischen Stils; Löwen in Lyon; Eine trauernde Maria des 12. Jahrhunderts aus dem mittleren Rhônetal; Die Fassade der Abteikirche Saint-Gilles du Gard; Sainte-Foy de Conques; Die Skulptur von Saint-Sernin in Toulouse; Zu dem romanischen Krucifix in Moissac.
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