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Romare Bearden in the Homeland of His Imagination
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Romare Bearden in the Homeland of His Imagination : An Artist's Reckoning with the South

Book Details

Format Hardback or Cased Book
ISBN-10 146966786X
ISBN-13 9781469667867
Publisher The University of North Carolina Press
Imprint The University of North Carolina Press
Country of Manufacture GB
Country of Publication GB
Publication Date May 10th, 2022
Print length 176 Pages
Weight 660 grams
Dimensions 18.50 x 26.40 x 1.90 cms
Ksh 6,250.00
Werezi Extended Catalogue 0 in stock

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Romare Bearden, one of the most prolific, original, and acclaimed American artists of the twentieth century, depicted scenes and figures rooted in the American South and the Black experience. in this trenchant reappraisal of Bearden’s life and art, Glenda Gilmore reveals his deep imagination, extensive training and rich knowledge of art history.
Romare Bearden (1911–1988), one of the most prolific, original, and acclaimed American artists of the twentieth century, richly depicted scenes and figures rooted in the American South and the Black experience. Bearden hailed from North Carolina but was forced to relocate to the North when a white mob harassed them in the 1910s. His family story is a compelling, complicated saga of Black middle-class achievement in the face of relentless waves of white supremacy. It is also a narrative of the generational trauma that slavery and racism inflicted over decades. But as Glenda Gilmore reveals in this trenchant reappraisal of Bearden's life and art, his work reveals his deep imagination, extensive training and rich knowledge of art history.

Gilmore explores four generations of Bearden's family and highlights his experiences in North Carolina, Pittsburgh, and Harlem. She engages deeply with Bearden's art and considers it as an alternative archive that offers a unique perspective on the history, memory, and collective imagination of Black southerners who migrated to the North. In doing so, she revises and deepens our appreciation of Bearden's place in the artistic canon and our understanding of his relationship to southern, African American, and American cultural and social history.

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