Rudolf Laban : The Dancer of the Crystal
by
Evelyn Doerr
Book Details
Format
Paperback / Softback
ISBN-10
0810860074
ISBN-13
9780810860070
Publisher
Scarecrow Press
Imprint
Scarecrow Press
Country of Manufacture
GB
Country of Publication
GB
Publication Date
Oct 28th, 2007
Print length
312 Pages
Weight
514 grams
Dimensions
15.20 x 22.60 x 1.60 cms
Product Classification:
Dance
Ksh 15,650.00
Manufactured on Demand
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This biography of the dancer, choreographer, and artist Rudolf Laban offers a biographical discussion presenting Laban as a pioneering figure of European expressionism and the founding father of modern dance, as well as an analysis of the significance of Laban as an important representative of expressionist Modernism.
Rudolf Laban, the famed dancer-choreographer and ''founding father'' of modern dance, also had experience as a painter, sculptor, and architect, and allowed those skills to influence his innovative choreographic techniques. His important works and his creation of one of the most significant forms of dance notation make him an essential component of dance history. Rudolf Laban: The Dancer of the Crystal examines Laban''s training, his teaching experiences, and the discovery and development of his principles of form and movement, paying special attention to his choreographic and philosophical work. Author Evelyn Doerr presents intriguing tidbits of the artist''s experience, such as Laban''s ambivalent position as the ''dance organizer'' of the Nazi party in Germany, embedded in a historical and philosophical context, offering insights to his choreographic processes and the events that shaped his life. The book presents the different stages and elements of Laban''s choreography discussing, for example, Laban''s "dance-sound-word" instructional approach, his concept of the "movement choir" and examples of its realization, the concepts of eukinetics and choreutics, and a description of how these subjects were taught in Laban''s school. Doerr also analyzes important elements in Laban''s theories of spatial harmony and of effort, and she investigates his various early systems of dance notation, leading to a detailed explanation of kinetography, Laban''s final notational system. A complete bibliography and an appendix of works choreographed between 1897 and 1936 help make this book an important contribution to Laban scholarship and to the dance, theater, and cultural history of Europe in the first half of the 20th century.
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