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Ruth Crawford Seeger
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Ruth Crawford Seeger : A Composer's Search for American Music

Book Details

Format Paperback / Softback
ISBN-10 0195137922
ISBN-13 9780195137927
Publisher Oxford University Press Inc
Imprint Oxford University Press Inc
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 9th, 2000
Print length 488 Pages
Weight 728 grams
Dimensions 15.40 x 22.90 x 3.50 cms
Ksh 7,050.00
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Ruthe Seeger was a prominent American avant-garde composer of the 1920s. After her marriage, she became involved in the American folk song movement of the 1930s and 1940s. Caught in domestic life, this creative woman never fully realised her potential.
Ruth Crawford Seeger (1901-1953) is frequently considered the most significant American female composer in this century. Joining Aaron Copland and Henry Cowell as a key member of the 1920s musical avant-garde, she went on to study with modernist theorist and future husband Charles Seeger, writing her masterpiece, String Quartet 1931, not long after. But her legacy extends far beyond the cutting edge of modern music. Collaborating with poet Carl Sandburg on folk song arrangements in the twenties, and with the famous folk-song collectors John and Alan Lomax in the 1930s, she emerged as a central figure in the American folk music revival, issuing several important books of adaptations (transcriptions and arrangements) and pioneering the use of American folk songs in children''s music education. Radicalized by the Depression, she spent much of the ensuing two decades working aggressively for social change with her husband and stepson, the folksinger Pete Seeger.This engrossing new biography emphasizes the choices Crawford Seeger made in her roles as composer, activist, teacher, wife and mother. The first woman to win a Guggenheim Foundation Fellowship in music composition, Crawford Seeger nearly gave up writing music as the demands of family, politics, and the folk song movement intervened. It was only at the very end of her life, with cancer sapping her strength, that she returned to composing. Written with unique insight and compassion, this book offers the definitive treatment of a fascinating twentieth-century figure.

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