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Sahand Hesamiyan: Primary Structures
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Sahand Hesamiyan: Primary Structures

Book Details

Format Hardback or Cased Book
ISBN-10 1912165503
ISBN-13 9781912165506
Publisher Black Dog Press
Imprint Black Dog Press
Country of Manufacture GB
Country of Publication GB
Publication Date Mar 26th, 2024
Print length 144 Pages
Weight 548 grams
Dimensions 17.50 x 24.80 x 1.80 cms
Product Classification: Individual artists, art monographs
Ksh 4,500.00
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This fully illustrated monograph provides the first in-depth look at the practice of Sahand Hesamiyan, one of the most prominent sculptors living and working in Iran today. Supported by an introduction and two essays, it surveys two decades of studio and archival material, sculpture, drawing and ambitious installation plans.

This fully illustrated monograph provides the first in-depth look at the practice of Sahand Hesamiyan, one of the most prominent sculptors living and working in Iran today. Supported by an introduction and two essays, it surveys two decades of studio and archival material, sculpture, drawing and ambitious installation plans.

This fully illustrated monograph provides the first in-depth look at the practice of Sahand Hesamiyan, one of the most prominent sculptors living and working in Iran today. 

The versatile oeuvre of Tehran-based artist Sahand Hesamiyan (b. 1977) explores the ties between geometry, mythology and philosophy in Islamic and Persian architecture, extracting traditional elements from the ancient sciences and adapting them for the present and future. The process, informed by complex construction and design techniques, manifests in larger-than-life metal sculptures and small elaborate works of paper, taking inspiration from years of craftsmanship and historical concepts. In all his works, Hesamiyan boldly strips away layers of recognisable ornamentation to reveal a minimal core at the heart of all forms.

This monograph surveys two decades of studio and archival material, sculpture, drawing and ambitious installation plans, supported by an introduction and two essays, not only providing a rich overview of Hesamiyan’s practice, but also a better understanding of contemporary art from Iran.


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